Firstbridge courses are offered to degree seeking freshmen and registration is done via webform in pre-arrival checklist.
| Day | Start Time | End Time | Room |
|---|---|---|---|
Monday | 12:10 | 13:30 | Q-704 |
Thursday | 12:10 | 13:30 | Q-704 |
Firstbridge courses are offered to degree seeking freshmen and registration is done via webform in pre-arrival checklist.
| Day | Start Time | End Time | Room |
|---|---|---|---|
Monday | 10:35 | 11:55 | Q-604 |
Thursday | 10:35 | 11:55 | Q-604 |
Firstbridge courses are offered to degree seeking freshmen and registration is done via webform in pre-arrival checklist.
| Day | Start Time | End Time | Room |
|---|---|---|---|
Tuesday | 12:10 | 13:30 | G-009 |
Friday | 12:10 | 13:30 | G-009 |
Firstbridge courses are offered to degree seeking freshmen and registration is done via webform in pre-arrival checklist.
| Day | Start Time | End Time | Room |
|---|---|---|---|
Tuesday | 10:35 | 11:55 | Q-704 |
Friday | 10:35 | 11:55 | Q-704 |
Firstbridge courses are offered to degree seeking freshmen and registration is done via webform in pre-arrival checklist.
| Day | Start Time | End Time | Room |
|---|---|---|---|
Tuesday | 09:00 | 10:20 | PL-1 |
Friday | 09:00 | 10:20 | PL-1 |
Introduces the methodology of Gender Studies and the theory upon which it is based. Examines contemporary debates across a range of issues now felt to be of world-wide feminist interest: sexuality, reproduction, production, writing, representation, culture, race, and politics. Encourages responsible theorizing across disciplines and cultures.
| Day | Start Time | End Time | Room |
|---|---|---|---|
Tuesday | 10:35 | 11:55 | G-009 |
Friday | 10:35 | 11:55 | G-009 |
In Art of Screenwriting students consider the elements necessary for successful screenwriting practices, with close attention to the theory of screenwriting as influenced by other arts. In particular, a close emphasis of the course is on the art of narrative and the central role played by adaptation of novels in screenwriting practice. Character development, structure, dialogue and conflict are analyzed through exemplary scripting such as in the works of Jane Campion, Roman Polanski and others. The course culminates in a hands-on guided approach to scriptwriting by students.
| Day | Start Time | End Time | Room |
|---|---|---|---|
Monday | 10:35 | 11:55 | G-207 |
Thursday | 10:35 | 11:55 | G-207 |
The end of the Cold War raised numerous questions concerning the boundaries of what had once been known as Mitteleuropa—a large swath of territory at the geographic heart of Europe, much of which belonged to the multi-ethnic Habsburg Empire before World War I. For writers like Milan Kundera, “Eastern Europe” was a misnomer when used to refer to nations such as Czechoslovakia, Hungary and Poland, whose cultural heritage, during previous centuries, had been intimately bound to that of their western neighbors. In this course, we explore how the shared cultural legacy of this extraordinarily diverse region—diverse in its ethnicities, religions and languages—manifests in its literature. Topics discussed include history, black humor, music, irony, sexuality, the rise of ethnic nationalism, the fate of the region’s Jews, and the legacies of both the Holocaust and Soviet control. We also consider the dissemination of modernity in "peripheral" cities such as Warsaw, Budapest or Zurich.
A study trip to Vienna includes visits to legendary cafes, museums, and concert halls. This course may additionally feature guest appearances by authors and translators (in person or by Skype), as well as cinematic representations of themes explored in assigned texts.
| Day | Start Time | End Time | Room |
|---|---|---|---|
Tuesday | 13:45 | 15:05 | G-L21 |
Friday | 13:45 | 15:05 | G-L21 |
In this course, students practice writing fiction, creative nonfiction, and poetry while exploring the boundaries between genres. The workshop format includes guided peer critique of sketches, poems, and full-length works presented in class and discussion and analysis of literary models. In Fall, students concentrate on writing techniques. In Spring, the workshop is theme-driven. May be taken twice for credit.
| Day | Start Time | End Time | Room |
|---|---|---|---|
Wednesday | 10:35 | 13:30 | G-207 |
Workshops a range of professional writing and presentation skills for the cultural sphere (cultural journalism, reviewing, grant applications, creative pitches, page layout). Students collectively produce and maintain a website of cultural activity in Paris. Practical work is placed in cultural and theoretical contexts, including introduction to the publication industry, legal contexts, and cultural studies.
| Day | Start Time | End Time | Room |
|---|---|---|---|
Monday | 12:10 | 13:30 | Q-A101 |
Thursday | 12:10 | 13:30 | Q-A101 |